Ferrari 250 GTE II Fine art Photography. Hundreds of photos assembled together to create a vision. Photo credits "Ferrari 250 GTE II" Signed & Limited Edition Print.
Until 1960, Ferrari had never had a 2 + 2 model. It had only received special orders on certain models such as the Ferrari 195, Ferrari 212, Ferrari 340 and Ferrari 342. At the 24 Hours of Le Mans in June 1960, Ferrari presented its 250 GT 2 +2, known as 250 GTE, its first real 4 seats. Ferrari produced 950 units, 6 units per day between 1960 and 1963, making the 250 GTE Ferrari the most marketed.
Designed by Pininfarina, the Ferrari 250 GTE was based on the 250 GT Coupe, but 300mm longer, 60mm wider and, perhaps the most surprising, 50mm lower and only 80 kg heavier. The cockpit was quite spacious. However, it was necessary to advance the front seats to provide a reasonable place for the legs in the rear. The rear passengers, however, had a well-padded leather seat, a central armrest and even an ashtray. In 1964, Ferrari replaced the Ferrari 250 GTE and its 3-liter V12 engine by the Ferrari 330 America, equipped with a 4-liter V12, sold only 50 units.
Automotive photography is a world - a culture - apart. The success of photography in an exceptional car is based on how light responds to angles, textures and color. It took Amaury Dubois hundreds of cliches to create a unique image of this Ferrari 250 GTE in order to extract the essence and give it a new intensity, a new dimension at the height of its prestique. Signed and numbered art photography. Limited edition.
Photographs and art prints are available as photography on art paper, Fine art prints, and plexiglas. Several sizes are available according to customer needs: interior decoration, an exhibition, an event, etc.
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- 70 x 70 cm | Limited Edition : 6 Copies
- 50 x 50 cm | Limited Edition : 10 Copies
All Amaury Dubois’s work of art are on very limited edition (30 copies max, for all formats) and have a unique print number.
Furthermore and in order to guarantee their authenticity on the art market, each copy is directly signed from the hand of the artist.
To offer you a perfect artistic touch, Amaury Dubois’s fine art prints are edited on a high-end art photo paper, answering to the highest standards regarding density, range of colours and image sharpness.
Amaury Dubois chooses Photo Rag®, the internationally reputed art photo paper Hahnemühle, to give a perfect sharpness to his works of art and guarantee accurate and realistic copy.
Thanks to the association with the Fine Art printing technique, each gradiant colour, each shade of colour creates a subtle effect, transcending work of art to the smallest detail.
Photo Rag® has its own particular texture, preserving the specific sensation of touch of a real art paper.
Developed around the idea of a simple and refined design, the high-end aluminium black frame embodies the resolutely contemporary spirit of your work of art.
The frame has a high-end mineral glass of 2mm thick with polished edges. It is send in bubble pack and in a wood crate in order to protect it from the potential shocks during the shipping.
Please contact us by email for the quotation of a framed work of art and a home delivery.
Composed with hundreds of photos, his photographic assemblies about symbolic cars put forward the history and all the peculiarities which characterize these models. Amaury Dubois does not present us a simple automobile photography but the idea that we are made of these cars, all that inspires us, as a picture that we would take in our spirit.
«The idea is to recreate a mental vision of a car. When we evoke a model of car, there is not a single image which comes to the spirit, there is a stream of images which comes into the head. I freeze this mental process in a single picture, as the result we have a photography which goes out directly of our imagination.»
The art photographies of Amaury Dubois on the theme of the automobile were revealed for the first time in 2016 during the autoshow Retromobile in Paris.
His work is exhibited in different art galleries across Europe, but some of his pieces are also part to many European and international art collections (in France Belgium, Luxembourg, Holland Switzerland Portugal Brazil USA …). His last exhibition was in Singapore.