Ferrari 250 GTE II Fine art Photography. Hundreds of photos assembled together to create a vision. Photo credits "Ferrari 250 GTE II" Signed & Limited Edition Print.
Until 1960, Ferrari had never had a 2 + 2 model. It had only received special orders on certain models such as the Ferrari 195, Ferrari 212, Ferrari 340 and Ferrari 342. At the 24 Hours of Le Mans in June 1960, Ferrari presented its 250 GT 2 +2, known as 250 GTE, its first real 4 seats. Ferrari produced 950 units, 6 units per day between 1960 and 1963, making the 250 GTE Ferrari the most marketed.
Designed by Pininfarina, the Ferrari 250 GTE was based on the 250 GT Coupe, but 300mm longer, 60mm wider and, perhaps the most surprising, 50mm lower and only 80 kg heavier. The cockpit was quite spacious. However, it was necessary to advance the front seats to provide a reasonable place for the legs in the rear. The rear passengers, however, had a well-padded leather seat, a central armrest and even an ashtray. In 1964, Ferrari replaced the Ferrari 250 GTE and its 3-liter V12 engine by the Ferrari 330 America, equipped with a 4-liter V12, sold only 50 units.
Automotive photography is a world - a culture - apart. The success of photography in an exceptional car is based on how light responds to angles, textures and color. It took Amaury Soares hundreds of cliches to create a unique image of this Ferrari 250 GTE in order to extract the essence and give it a new intensity, a new dimension at the height of its prestique. Signed and numbered art photography. Limited edition.
Photographs and art prints are available as photography on art paper, Fine art prints, and plexiglas. Several sizes are available according to customer needs: interior decoration, an exhibition, an event, etc.
Do not hesitate to contact Amaury Soares for special requests.
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- 90 x 90 cm
- 80 x 80 cm
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Signed & Limited to 10 copies
High-Quality Finishings
Photography with certificate of authenticity
| Models | Ferrari 250 GTE |

1) GLOSSY ACRYLIC GLASS
2) PREMIUM PHOTO PAPER & SILICONE
3) ALUMINUM DIBOND BACKING
Your art photography is printed on a photo paper designed by Fujifilm, the Fuji Crystal Professional Archive Maxima paper is the best support for your print with even deeper blacks, finer details, and vibrant colors.

- Custom-made recessed aluminum frame
- All our fixtures are compatible with picture hangers.
A rectangular aluminum profile frame is installed on the back of it. This structure will stiffen the work and offer you a simple and safe wall hanging system.
This hanging structure also gives the work an exceptional highlighting, thanks to a three-dimensional rendering and the feeling that the work is detached from the wall.

Whether it's a museum, an automobile exhibition venue, or a storage place for classic cars, the stretched canvas on aluminum frame adapts to all architectural constraints with custom dimensions ranging from 200 to 400cm.
It also allows for quick installation with a very high quality decorative effect thanks to thermal sublimation printing. This printing technique allows for extra-large formats, of remarkable quality.
For an even more qualitative rendering, the prints are made on Ublock 240g blackout standard B1 canvas. The aluminum frames (in natural aluminum or black color) are 2 cm thick.
Amaury Soares, a French photographer, elevates automobiles through his unique style. Capturing the essence of legendary cars, he creates works of art that reveal the hidden beauty of each model. His creations attract the attention of major automotive brands and passionate collectors, who appreciate his original artistic vision.



